La Comedia Española y el Teatro Europeo del siglo XVII
Edited by Henry W. Sullivan Edited by Raúl A. Galoppe Edited by Mahlon L. Stoutz
Ezra Pound once observed that Lope de Vega gave Spain her theatre and Spain in turn gave her theatre to Europe, but this fact of literary history is barely understood and even less well documented as regards the impact of the Comedia on European drama in the seventeenth century itself, especially by Lope de Vega. The essays in this volume demonstrate and explore Spain's influence on the national dramas of Europe, directing attention to the reception of the Spanish comediain Italy, France, England, Holland, Germany, and Poland. HENRY W. SULLIVAN is Professor of Spanish at the University of New Orleans.
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DETAILS
208 pages Size: 23.4 x 15.6 10 digit ISBN: 1855660431 13 digit ISBN: 9781855660434
Binding: Hardback First published: 31/Dec/1998 Price: 80.00 USD / 40.00 GBP
Imprint: Tamesis Books Series: Monografías A
Subject: Hispanic Studies
BIC class: CSBD
STATUS: Available
Details updated on 07/10/2008
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Contents
| 1 | |
La comedia española en la Italia del siglo XVII: La Commedia dell'arte Nancy L D'Antuono
| 2 | |
Calderón y el teatro clásico francés Alejandro Cioranescu
| 3 | |
``Es dama o es torbellino?": La dama duende en Francia de D'Ouville a Hauteroche Frederick A de Armas
| 4 | |
La comedia española en la Inglaterra del siglo XVII John Loftis
| 5 | |
Sir Richard Fanshawe y Querer por solo querer de Antonio Hurtado de Mendoza: El cómo y el por qué de una traducción Angel María Garcia Gomez
| 6 | |
Una traducción flamenca de La devoción de la cruz de Calderón que no está perdida
| 7 | |
La comedia lopesca y el teatro holandés de principios del siglo XVII: Un temprano triunfo para Theodore Rodenburgh Rina Walthaus
| 8 | |
La recepción de la comedia en la Europa de lengua alemana en el siglo XVII Martin Franzbach
| 9 | |
Los inicios del teatro español en la Polonia del siglo XVII (with Beata Baczynska) Florian Smieja
and Beata Baczynska
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Reviews
...se trata de un estudio rico en materiales hasta ahora muy poco conocidos, que destaca una vez más el papel predominante que ya en su época desempeña la comedia española para el teatro europeo IBEROAMERICANA, I, 1 (2001)
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