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Narrative and Stylistic Patterns in the Films of Stanley Kubrick
Luis M. García Mainar

García Mainar's critical study of the films of the late Stanley Kubrick includes analysis of all but his last work, Eyes Wide Shut, and offers both a formal analysis of the films based on style and narrative pattern, and a theoretical, postmodernist approach to ideas presented in the films. García Mainar is particularly concerned with analyzing the relevance of spectacle in Kubrick's films, seeing it as a disruptive mechanism that can call into question the value and necessity of communication. He identifies different kinds of spectacle in the films, and proceeds to a detailed examination of these different forms in 2001 A Space Odyssey, Barry Lyndon, and Full Metal Jacket. Luis M. García Mainar teaches English at the University of Zaragoza, Spain.

 

DETAILS

2 b/w illustrations
266 pages
Size: 9 x 6 in
10 digit ISBN: 1571132651
13 digit ISBN: 9781571132659
Binding: Paperback
First published: 24/Jun/1999
Last printed: 05/Jun/2000
Price: 24.95 USD / 17.99 GBP
Imprint: Camden House
Series: European Studies in American Literature and Culture
Subject: Film Performing Arts & Media

BIC class: AVH

STATUS: Print on demand (please allow 3 weeks for delivery)
Details updated on 23/07/2008

Contents
   Introduction
1   Poetics
2   Modifications of Accounts of Film as Narrative, Motivated by the Previous Analysis of Poetics
3   2001: A Space Odyssey(1968); or, A Journey toward Ambiguity
4   Barry Lyndon(1975); or, The Comnfort of Tradition
5   Full Metal Jacket(1987): One Possible Answer
6   Conclusion

 

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