Musical Encounters at the 1889 Paris World's Fair
Annegret Fauser
The 1889 Exposition Universelle in Paris has become famous as a turning point in the history of French music, and modern music generally. For the first time, Debussy and his fellow composers could be inspired by Javanese gamelan music, while the Russian concerts conducted by Rimsky-Korsakov brought recent music by the Mighty Five to Parisian ears.
But the 1889 World's Fair had much wider musical and cultural ramifications; one contemporary described it as a "gigantic encyclopedia, in which nothing was forgotten." Music was so pervasive at the 1889 Exposition Universelle that newspaper journalists compared the sonic side of the affair to a "musical orgy." Musical encounters at the fair ranged from bandstand marches to folk and non-Western ensembles to symphonic and operatic premieres by Massenet to the mass-marketed Edison phonograph.
A rich and vivid literature (from newspaper columns to memoirs that are plumbed here for the first time) comments about this sonic landscape, reflecting the reactions and responses of composers (Saint-Saëns), writers (Judith Gautier), and journalists (Gaston Calmette).
Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the Exposition Universelle. It thereby also reveals the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.
Annegret Fauser is associate professor of music at the University of North Carolina at Chapel Hill. Her many publications include books on French Wagnerism, Massenet's opera Esclarmonde, and French orchestral songs from Berlioz to Ravel.
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DETAILS
55 b/w illustrations
416 pages
Size: 9 x 6
10 digit ISBN: 1580461859
13 digit ISBN: 9781580461856
Binding: Hardback
First published: 15/Oct/2005
Last printed: 15/Oct/2005
Price: 75.00 USD / 40.00 GBP
Imprint: University of Rochester Press
Series: Eastman Studies in Music
Subject: Music
BIC class: AVH
STATUS: Available
Details updated on 15/07/2008
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Reviews
Fauser offers a "thick history" in every sense, rich in individual arguments, plurality of points of view, and layers of information and analysis. This is a truly wonderful book, which may cause something of a minor revolution in how we understand nineteenth-century French music and listening cultures. -- Tamara Levitz, H-NET April 2006
A work of striking originality. Fauser's 'thick description' of the
1889 World's Fair introduces us to a vibrant sonic world usually left
silent in the mute halls of cultural history. Brilliantly researched
and written, this book doesn't just tell us about empire, nationalism,
and the 'exotic'; it allows us to heed their often dissonant sounds. --Edward Berenson, Director, Institute of French Studies,
New York University
Thoroughly researched and excellently illustrated. . . . Fauser has done us all a service in clearly presenting the musical and moral complexities of such a mammoth enterprise. . . . Thoughtful, lively book. --Roger Nichols, BBC MUSIC MAGAZINE
Original and insightful. . . . Fauser successfuly brings the 1889 Universal Exposition to life through . . . meticulous description, thorough in every detail, supported with abundant critical and illustrative examples brought together here for the first time. . . . [The presentation] is glossy, spacious and consistent, with scrupulous referencing and clear translations. --NINETEENTH-CENTURY MUSIC REVIEW, Helen Julia Minors
A fascinating, valuable, and immaculately researched study that sticks to its subject admirably. It is sophisticated and perceptive, with many fertilizing cross-references to the other arts. . . . Fauser painstakingly comes as close as anyone is ever likely to in describing the instruments and music Debussy would have actually heard in the Kampong and the Annamite Theatre in 1889. . . . Wonderfully apt illustrations. . .
Click here to read an extensive review by Tamara Levitz, University of California, Los
Angeles, H-FRANCE REVIEW
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