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Edited by Peter Bloom New studies of the great French composer by Jacques Barzun, David Cairns, Joël-Marie Fauquet, Hugh Macdonald, Julian Rushton, and other prominent experts. |
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![]() Lorenzo Candelaria The Rosary Cantoral is a rare and beautifully decorated manuscript of Latin plainchant for the Catholic Mass compiled in Toledo, Spain, around the year 1500. In an engaging and richly interdisciplinary essay, Lorenzo Candelaria approaches it as a cultural artifact, unlocking the secrets behind its images and music to reveal the social history and rituals of an elite brotherhood. More information |
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Jack Douthett et al (eds) Essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today. More information |
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David Gramit (ed) The first English-language book on Czerny, and the broadest survey of his activity in any language. More information |
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Leo Black Leo Black, a pupil of Rubbra at Oxford in the 1950s, here presents a sympathetic full-scale study of his symphonic works (the first for some fifteen years). A succinct biographical sketch throws light on legends about the BBC and Rubbra, as well as the vexed question of Rubbra’s mysticism. There are full programme notes on each symphony, with shorter accounts of important non-symphonic works, in particular a 'triptych' of concertos from the 1950s and major liturgical pieces. More information |
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Christina Bashford
This monograph investigates the promotion and consumption
of high musical culture among leisured society in Victorian London, by
focusing on the activities of the concert manager John Ella and his
Musical Union (1845-81), an eminent, long-lived institution for chamber
music, much fêted across Europe in its day. |
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Now available from Boydell & Brewer
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![]() Bernarr Rainbow with Gordon Cox Now available in paperback. "Indispensable... The profession of music education has at last been provided with a detailed and documented history... the volume should be on the shelves of every library and musician." INTERNATIONAL JOURNAL OF MUSIC EDUCATION |
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![]() with illustrations by William Scott Hugh Wood Edited by Christopher Wintle with an Introduction by Bayan Northcott Ever since his early days, Hugh Wood has pursued a triple career as composer, teacher and writer. This selection of writings is in three parts and shows three aspects to his work. The first addresses his own experience; the second maps out the historical and cultural context for a number of orchestral and chamber works in a set of concert essays; and the third draws together several composer-vignettes from his recent reviews for the Times Literary Supplement. (Plumbago Books) Available simultaneously in hardcover and paperback |
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