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The contributors to Copland Connotations - both American and British - include the leading figures in Copland studies. Pre-eminent among these is Vivian Perlis, whose two-volume memoirs were written in collaboration with the composer himself; then Howard Pollack, whose substantial biography of Copland has been acclaimed; and also other established specialists in American music such as Stephen Banfield, William Brooks, Mark DeVoto, Peter Dickinson, David Schiff, Larry Starr and the distinguished analyst Arnold Whittall. Brilliant studies from young scholars are a special feature - Jessica Burr, Jennifer DeLapp, Sally Bick, Daniel E. Mathers and Marta Robertson. These all offer exciting new perspectives on Copland's work; unique reflections on his private life; and indicate the undoubted vitality of his appeal to future generations. | ![]() |
| 1 |
Copland and the 'Boulangerie' Dr Mark DeVoto | |
| 2 |
Copland and the 'Jazz Boys' Professor David Schiff | |
| 3 |
Copland, the West and American Identity Dr Jessica Burr | |
| 4 |
Copland and Music for Dance: Questioning Fundamental Assumptions Professor Marta Robertson | |
| 5 |
Copland on Hollywood Dr Sally Bick | |
| 6 |
Aaron Copland and John Kirkpatrick: 'Dear John, can you help me out?' Dr Vivian Perlis | |
| 7 |
Copland, Gershwin and the American Landscape Professor Howard Pollack | |
| 8 |
Copland, Ives and Gambling with the Future Professor Larry Starr | |
| 9 |
Speaking to Whom? Modernism, Middlebrow and Copland's Short Symphony Professor Jennifer DeLapp | |
| 10 |
Simple Gifts and Complex Accretions Professor William Brooks | |
| 11 |
Expanding Horizons: Sexuality and the Re-zoning of The Tender Land Dr Daniel E Mathers | |
| 12 |
Technique and Rhetoric in the Piano Fantasy Professor Arnold Whittall | |
| 13 |
Copland and the Broadway Sound Professor Stephen Banfield | |
| 14 |
Copland's Earlier British Connections Professor Peter Dickinson |