| |
Mendelssohn, Goethe, and the Walpurgis Night
The Heathen Muse in European Culture, 1700-1850
John Michael Cooper
Mendelssohn, Goethe, and the Walpurgis Night is a book about tolerance and acceptance in the face of cultural, political, and religious strife. Its point of departure is the Walpurgis Night. The Night, also known as Beltane or May Eve, was supposedly an annual witches' Sabbath that centered around the Brocken, the highest peak of the Harz Mountains.
After exploring how a notoriously pagan celebration came to be named after the Christian missionary St. Walpurgis (ca. 710-79), John Michael Cooper discusses the Night's treatments in several closely interwoven works by Goethe and Mendelssohn. His book situates those works in their immediate personal and professional contexts, as well as among treatments by a wide array of other artists, philosophers, and political thinkers, including Voltaire, Lessing, Shelley, Heine, Delacroix, and Berlioz.
In an age of decisive political and religious conflict, Walpurgis Night became a heathen muse: a source of spiritual inspiration that was neither specifically Christian, nor Jewish, nor Muslim. And Mendelssohn's and Goethe's engagements with it offer new insights into its role in European cultural history, as well as into issues of political, religious, and social identity -- and the relations between cultural groups -- in today's world.
John Michael Cooper (Southwestern University) is the author of Mendelssohn's "Italian" Symphony (Oxford University Press).
| |
DETAILS
15 b/w illustrations
20 line illustrations
Size: 9 x 6
10 digit ISBN: 1580462529
13 digit ISBN: 9781580462525
Binding: Hardback
First published: 15/May/2007
Price: 75.00 USD / 40.00 GBP
Imprint: University of Rochester Press
Series: Eastman Studies in Music
Subject: Music
BIC class: AVH
STATUS: Available
Details updated on 08/05/2008
|
| |
Contents
|
1 | |
The Cultural and Religious Prehistories |
2 | |
Tolerance, Translation, and Acceptance: Goethe's and Mendelssohn's Voices in European Cultural Discourse to ca. 1850 |
3 | |
Reality and Illusion, Past and Present: Goethe and the Walpurgisnacht |
4 | |
The Composition, Revision, and Publication of Mendelssohn's Die erste Walpurgisnacht |
5 | |
The Sources, Structure, and Narrative of Mendelssohn's Walpurgisnacht Settings |
6 | |
At the Crossroads of Identity: Critical and Artistic Responses to Goethe's and Mendelssohn's Walpurgisnacht Treatments |
7 | |
Preforming Identity and Alterity: Die erste Walpurgisnacht Then and Now | |
| |
Reviews
The lure of sorcery and witches' Sabbaths . . . [told by Cooper] with fluency, enthusiasm and an eye for detail." TLS, Hugh Macdonald
An outstanding piece of scholarship. . . . Entirely successful. . . . Argues convincingly for a Mendelssohn engaged with culture, informed about his thinking, and--most important--willing and eager to take artistic risks in order to not only state his opinions but also build bridges. . . . The use of illustrations in early publications is especially illuminating.--MUSIC LIBRARY ASSOCIATION NOTES [Siegwart Reichwald]
Dozens of excellently selected illustrations. . . . Thoughtful and warmly written. . . . [Its] themes are interwoven in an imaginative, careful way, made to come alive for readers familiar or not with the book's topics. . . . A rich vein indeed. -- MUSICAL TIMES [Peter Williams]
A fascinating study of the genesis, musical structure, and reception of this neglected great work of the choral literature. Cooper spreads out a colorful panorama of the Witches' Sabbath as a cultural idea and artistic motif. He argues brilliantly across the divide of music and literature that Goethe and Mendelssohn were animated by a common ethical and aesthetic sense. --Julie Prandi, professor of German, Illinois Wesleyan University
A highly entertaining and authoritative account of the Walpurgis Night tradition in European culture, and of Mendelssohn's cantata, which Berlioz praised for the "perfection" of its interweaving of voices and instruments. The author blends skillfully history, criticism, musical analysis, and source studies to shed new light on Mendelssohn's perhaps most provocative, and unjustifiably neglected, work. --R. Larry Todd, Arts & Sciences Professor of Music, Duke University, and author of Mendelssohn: A Life in Music
|
| |
|
To order this book, use the shopping cart
that refers to your destination. If the title is not yet published, your order
will be recorded until the volume becomes available.
| |
|
| Please note that our shopping carts use cookies. If you have cookies disabled on your browser please
click here
for a secure blank order form, or click here for a printable form.
| |
